Saturday, July 14, 2012

Rosemary's Baby

Rosemary's Baby

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Rosemary's Baby

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Ira Levin's classic tale of gothic horror in 1960's Manhattan is wonderfully brought to life by Roman Polanski in the film version. The movie has much more depth and strength of characterization than the book, and the biggest surprise, when the movie first opened, was Mia Farrow's absolutely great performance as Rosemary.

The movie stays very close to the book throughout, and the actors are terrific. John Cassavetes is excellent as Rosemary's low-life actor husband who sacrifices her to his ambition without a second thought; Ruth Gordon won a well-deserved Oscar for best supporting actress as the delightfully wacky witch next door; Sidney Blackmer gives a chilling performance as her sinister husband whose name is an anagram that sends Rosemary hurtling down a spiral chute of terror and panic, and Ralph Bellamy is total perfection as the evil Dr. Sapirstein.

The two best scenes in the movie are the scene in which Rosemary, who wants a baby more than anything else in the world, finds herself being impregnated by God-knows-what, and the scene toward the movie's end when she realizes just what she was impregnated with. The movie was shot mostly in and around the Dakota, the grand old Upper West Side co-op that lends itself remarkably well to the creepy projection of a haunted house, the cinematography and film editing are excellent, and Polanski's direction proves that a great horror movie doesn't have to be a slasher film to effectively scare the bejesus out of you. There's no blood, no gore, no violence; just a great psychological horror ride, and it works.



Rosemary's Baby

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